The opening sounds like the opening of a 60’s psychadelic melody before transitioning to metal. The lyrics sound more like a hypnotic trance, trying to convince the listener they are in for a weird ride, which is the inflection of the entire piece. This is the kind of song best listened to while high and laid back in a dark room with a young woman sucking you off and a George Romero movie on
flesh for the Table is a wall of noise that doesn’t let up. The vocals are a bit low, making the lyrics hard to decipher, but they still seem to resonate well enough to carry the meaning. It definitely carries the psycho-sexual vibe well, and sounds like it belongs in a 70’s sexploitation flick. An instrumental mix over a horror movie would fit this piece well, with the full song covering the closing credits, perhaps while the main survivor who we watched survive gets devoured by naked female zombies in a manner like Cannibal Holocaust. 31m ago
Taste you with Wine has a slow build up, hammering home the question “Are we fake, or are we for real?” that leaves the listener questioning the motives of the author right up until she starts confessing her desire to feast on the listener’s flesh. The instrumentals are slower than Flesh for the Table and Juicy Pig Meat, which at times seems at odds with the vocals, which are much faster in pace. The song is probably the weakest of the three, and would do better to have the lead vocalist alone describing her sexual cravings, while only a vague hint of her desire to eat the listener.
I love the image!! Lana serving up one of her longpigs!